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Artist Profile - carmel wallace
 
 

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After completing an Arts degree and Diploma of Education at La Trobe University, Carmel gained an Honours degree at Deakin University, and subsequently completed her Doctorate (art and environment) in 1998.

Her work is primarily concerned with connection to place and particularly the coastal sites around her home in Portland. She explores the human need to experience a connection with landscape, striving for an all-embracing understanding of the places where we live.

 
Sea of Vapours (Mare Vaporum) 2005
monotype on paper on board,
6 panels each 75.7x57x4.5cm
© Carmel Wallace

 

Carmel's work has been selected for national exhibitions such as The Wynne Prize at the Art Gallery of NSW. Acquisitions include private and corporate collections, the National Library of Australia, the State Library of Victoria, and The Silk Cut Collection in the National Gallery of Australia. She is represented by Gallery 101 in Melbourne.  
Beached Forest 4 2007 beach-found cargo-wedges on ply 45x180x30(approx)
© Carmel Wallace
     
Recent major projects include coordinating and participating in the Great South West Walk Art Project, which involved eight artists walking the 270km Great South West Walk over three weeks, producing works for an exhibition which will tour nationally through NETS and VISIONS.
( http://www.walk21.com/paper_search/results.asp )
     
An Octopus’s Garden 2007 beach-found plastic objects and cable ties 145 x 185cm © Carmel Wallace
Carmel’s solo exhibition RED SEA at Gallery 101 Melbourne (28 August – 15 September 2007) addressed issues including those of global warming and marine pollution. She used materials collected on her many beach walks to construct her sculptures and wall pieces, and as the basis of her prints:

 

My verandah is groaning with plastic cray-pot throats, wooden cargo wedges, floats, fishing ropes and other strange industrial objects that defy definition. The sea continues to purge itself of these foreign bodies. I continue to relieve its tide-lines of them. There seems no end in sight, but we work together, the sea and I, in a continuous cycle of purging and collecting.

 


Carmel Wallace RED SEA installation view 3 Gallery 101 Melbourne 2007
© Carmel Wallace

     

More Info

cmwallace@ansonic.com.au or arts@gallery101.com.au

 
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